THOMAS MARTIN SMITH - writer & photographer

 
IN THE LONG RUN - A Hopeful World Odyssey
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IN THE LONG RUN
A Hopeful World Odyssey

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Chapter Summaries

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PART IV


Along European Lines

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Chapter 17

BENELUX AND THE GERMAN FACTOR

"One might better go without friends in Germany than take all this trouble about them."
(learning the language)

                                                             Mark Twain
                                                                     A Tramp Abroad


I am tense riding those first miles in Germany, feeling that I am invisibly surrounded by a nation of war-loving stoic racists whose language hits the ears like a hammer. Get out!  Schnel! That would be fine except for nearly drowning in a downpour near Hamburg.  I realize that I will not reach the Netherlands before nightfall.  But the anxiety fades when a close-knit German family takes me in and feeds me. They teach me some German and share a bit of their everyday lives.  I thank the German stars for people like Ella Otten and her family.

Crossing the Zuider Zee.jpg (27180 bytes)Since Newcastle, I have been mainly in the open.  It has often been cold and wet.  I race against high winds across the dyke over the Zuider Zee and make haste for Brussels where friends Marianne and Patrick give me my own apartment.   There in the evenings, I relax to songs by "Old Blue Eyes" and wonder about reaching far-off New York, New York, my way.Marianne and Patrick.jpg (26124 bytes)

After my diplomatic duties, I take walking tours of the    soon-to-be capital of the European Community and window shop, unwittingly discovering, one day, the window enticements of prostitutes.  One is a pale, painted veteran with a grandmotherly twinkle in her eyes.  Another is a young African girl who dips low to offer her lovely, abundant...  I leave Brussels, happy to have had the company and care of good friends.  Melawend and I roll through the scenic splendour of Belgium and Luxembourg before plunging back into Germany.

Downtown Brussels.jpg (38148 bytes)Revived apprehensions are again diminished by a most welcoming and talkative family who give Melawend and me a home base as I seek an exchange in Bonn and my paternal roots in Essen.  I move on and discover that "the Rhine of North America" (the St. John River – Chapter 7) is more contrast than similarity to the real thing.  In Lahr, a Black Forest city ringed with vineyards, and whose population is half foreign military, I find continuing German efforts at reconciliation when I become guest of a friendship club.  Leaving Germany becomes an increasingly regretful anticipation.

The beautiful Rhine.jpg (30560 bytes)This chapter deals with the difficulty of setting aside prejudices founded on historical events and replacing them with friendship and common bonds. In a digression to present-day life, I lament the rise of neo-Nazism and racism as refugees pour into Germany.

But the Germany I discover at the end of the summer of 1986 leaves me hopeful and looking forward to the Alpine wonders ahead.

 

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Chapter 18

ALPINE BLISS

 

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There have already been so many places that have been so close by that I had to omit from the journey. Vienna is another as Melawend and I round the Austrian end of Lake Constance.  I observe the rugged   beauty surrounding Vaduz, the capital of Liechtenstein, as the guest of Ursula, a penfriend, and her family and stay in one of the city’s historic hotels.  Then it’s on up into the Alps for some publicity stills near that great talon of rock that etches the sky and the international imagination – the Matterhorn.  Melawend and I wind our way down out of the mountainous majesty of a country that epitomizes neutrality andThe Matterhorn.jpg (23291 bytes) secrecy.  We go to Geneva where I find welcome at and a tour of the UN’s European headquarters.

The latter part of this chapter focuses on peace and the work of the UN.  It explores some of the concepts of world peace, neutrality and global cooperation as I look for resolutions to war and the terrorism that lurks ahead.

Lisolette Berger at City Hall, Berne.jpg (46601 bytes)Leaving a region of awesome terrain which has inspired feelings of peace and well-being, Melawend and I head for a country that not only returns a prejudiced mind-set, but stirs fear – France. Specifically: Paris.

 

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Chapter 19

PARIS:
BEAUTY AND THE BOMBS

 

The romance of the Eiffel Tower.jpg (32210 bytes)While being turned away from camping at a church may have been due largely to language difficulties, a French family takes me in and shares a fine evening of soccer, pie and wine, and a comedy of mutual language instruction.

The lead skies over Djon burst and I nearly drown all the 193 miles to Paris.  Fortunately, I am made a guest of Jocelyne, a penfriend, and her family in their apartment on the Left Bank.  Ah Paris!  How lucky I feel to be in the city that has so inspired the world.

It’s 5:28 in the afternoon, September 17, 1986.  Just before stepping out for a stroll, there is a muffled "boom".  Everything is shaken.  Fear comes to the eyes of my Parisian friend.  On a street nearby, a bomb has exploded, killing five people and injuring 53 – mothers and children as they shopped for school clothes at the Tati store on the Rue de Rennes.

The next day, I find Notre Dame surrounded by the gray hulks of   Hotel de Ville, Paris.jpg (35265 bytes) armoured vehicles and by police in helmets and bulletproof vests.  I am searched before being allowed into the Hotel de Notre Dame Cathedral.jpg (35355 bytes)Ville to meet city officials.  Paris has been under siege by terrorists.  A city executive says, "How do we fight ghosts?"

Life goes on in the city of lights.  Paris is awash with autumn color.  People are still walking along the Champs Éleysées.  Cafes are busy.   There might be fewer tourists, but foreigners, like the Japanese girl with crooked teeth, still scan the sights from atop the Arc de Triomphe.  Yet I wonder if the spirit of Hitler is circling below, chauffeured by the Angel of Death, and singing, "Paris is burning!  Paris is burning!"

On a personal note, I lament the girl who got away.

After reviewing some of the Paris that Hemingway knew, Melawend and I leave and find a campsite on the banks of the placid Loire River. A muscled old man crouches beside me on the shore and carries on a monologue in French. Aiming and saying "tat-tat-tat-tat," he is apparently talking about the Second World War.   Finally, the man locks his hands on his forearms and says, "Ami," referring to the Allies.  He pats me on the back and leaves. I feel a kind of happy guilt that I have received appreciation for others who fought and died that I might not experience war.

On the way south, I camp on a farm after some hilarious charades with the elderly couple who own it. Except for the filthy skies over Bordeaux, my impressions and attitudes toward France have mellowed. Once again, I feel the regret of departure, but also the rapt anticipation of the French Riviera yet to come.

First it’s on to Hemingway country – the bulls and the sun-baked plains of Spain.

 

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Chapter 20

SPANISH HEROES

 

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Bullfights and the reconquista – romantic images of Spain portrayed by Ernest Hemingway and   Charlton Heston – Spanish culture and legend immortalized by American media.  These colour my outlook as Melawend and I enter Spain.  Basque terrorism looms over the country but I encounter only quietude.   Lovers stroll and the byways are peaceful in Hemingway’s Pamplona where I am gored, but only in the ears by the horns of cars on the narrow streets.  In Burgos, as old men Grape pickers, Spain.jpg (34735 bytes)converse in a park, the bones of El Cid repose in the epic hero’s hometown cathedral while his colossal horse-mounted image, sword in hand, slashes the sky above a traffic-embattled plaza.

This chapter explores a ground-level view of such romance of Spain as some of the country’s turbulent history and currents events are woven into the tale.

Diplomatically speaking, Madrid becomes a make-do situation caused by bad timing. After a motorcycle escort to the edge of the city, I throttle up Melawend and we head for the longed-for comforts of the Mediterranean.

The chapter concludes after we reach Valencia, the city liberated from the Moors by El Cid.  Just as American movies have coloured my outlook, so too have American commercials – riding amid the area’s vast orange groves brings fond memory of Big Crosby promoting Minute Maid Orange Juice, "made from real Valencia oranges" (albeit from Florida) – "Well, there’s no doubt about it."

After three and a half months of mostly cold damp weather, I am anxious for the warmth and sensuality of the Spanish, French and Italian Rivieras.

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Chapter 21

RIDING THE RIVIERAS

 

First stop – Peniscola (somehow an appropriately suggestive name). Part of El Cid was filmed here, but to this lonely North American, even the town’s seaside Papal Palace withers to the attraction of bare buxom beauties on the beach.  So begins the tour of the famous Mediterranean shore.  Titillation aside, I soon discover the sublime wonders of the region that has drawn the world’s elite and its eminent artists – the royal blue waters, the green frocked hills dotted with palatial villas and the high winding seaside drives.

Lloret de Mar, Spain.jpg (39710 bytes)Baroness von Kirchoff-Lintner, Genevieve Rey and guest aboard the Lady Cleopatra.jpg (33875 bytes)

 

 

 

 

The chapter explores the lure of Lloret de Mar and the   opulent atmosphere of St. Tropez with its beautiful people and their cigarette boats and sailing yachts.  In Cannes, I savour the affluent atmosphere along the promenade de la Croisette and covort with the Baroness Von Kirchoff-Lintner and friends aboard her yacht, Lady Cleopatra.  I also overcome inhibitions and attempt my firstwpe50.jpg (10200 bytes) session of nude photography – on a crowded beach.  Even the tension wrought by terrorism has its funny moments as when President Cannes.jpg (36772 bytes)Mitterrand’s helicopter comes in for a landing near the Palais des Festivals, causing hotel beach cushions to take flight and the balloons attached to the Palais to rub its stucco walls and pop, alarming already tense security forces.

Melawend and I pass through exquisite Monaco with reverence for the   Portofino.jpg (34838 bytes) late Princess Grace.  Along the seaside in Genoa, I try to capture a little of the spirit of Columbus but am snarled by traffic.  Finally, I pause to enjoy the impressionistic beauty of Italy’s tiny Portofino, so lovingly compared to a painting by Loretta Swit on a segment of TV’s Lifestyles of the Rich and Famous.

This chapter looks at the life of opulence, leisure and "caviar dreams", unattainable by most but at least visible to those who visit the fabulous Rivieras.  Those who have played and live here, including Pablo Picasso, form a picture of this rich lip of the Mediterranean through anecdotes and quotations.

The Rivieras also have an atmosphere of complacency and idleness.   I realize that I must move on - now bound for "The Eternal City" – Rome.

 

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Chapter 22

THE ETERNAL CITY
AND THE HOLY FATHER

 

Florence.jpg (40320 bytes)Florence American Cemetery and Memorial.jpg (40046 bytes)On the way to Rome, I visit Pisa to take promotional stills with the imperiled    Leaning Tower as the background, and discover some of the tawdry commercialism known in Niagara Falls. At Florence, I can but take in the city’s magnificence from a high vantage point. But I do gain some new perspectives on war and peace by a visit to the Florence American Cemetery and Memorial.  I look at older trees, wondering which of those silent witnesses to war might have taken a bullet meant for a soldier.

St.jpg (43629 bytes)Pope John Paul II.jpg (32803 bytes)When in Rome – take a bus!  Insane traffic makes Rome the New York of   Europe.  But during the eight days there, I do take Melawend into the city to attend a friendly but awkward reception at the City Hall, on Michaelangelo’s redesigned Campidoglio, by Rome’s Ambassador of Ceremonies and Festivals – we can’t speak each other’s language but the exchange of peaceful wishes is understood. On walking tours of some of Rome’s touristed and private byways, I explore some aspects of the city that make Rome "The Eternal City".

One of the most profound moments of the odyssey occurs at St. Peter’s when I shake hands with Pope John Paul.  It may have been awe of the moment, but when the Holy Father takes my hand, I believe I have a "religious experience" – though I am not Catholic.

The chapter looks at two of Rome’s landmark gathering places: the Colosseum, infamous for past blood sports; and St. Peter’s, a place of continuing pilgrimage to the glory of Christianity. Contrasts are drawn between persecution and unity in religion. Optimism is instilled through the mission of the Vatican and its charismatic leader while pessimism is fed by the continuance of bloodshed worldwide; viewed through the global Colosseum of television.

Repose in an Italian village.jpg (38531 bytes)Love in Pompeii before the fall.jpg (38997 bytes)With so much of Rome left unexplored, I toss my three coins into the Trevi   Fountain and leave.  In Pompeii, I examine how insignificant man is against the forces of nature. But the exhumed city looks serene, almost livable, compared to the images of utter destruction such as at Hiroshima – nature’s power manipulated for humanity’s own ends, paling by today’s capabilities.Tranquility near Terracina, Italy.jpg (23604 bytes)

Finally, after an Italian family provides food and comic relief after my camp is flooded, Melawend and I cross the Adriatic Sea, bound for that bastion of Western Art and philosophy – Greece.

 

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Chapter 23

GRECIAN SOJOURN

Fair Greece!  Sad relic of departed worth!
Immortal, though no more; though fallen, great!

                                                  Lord Byron
                                                                        Childe Harold's Pilgrimage

 

Entrance to the Stadium, Olympia.jpg (31373 bytes)Coast of Greece.jpg (19902 bytes)Indeed!  I sense Byron's passion for Greece after Melawend and I disembark at Igoumenitsa and make   our way along the rugged coast to the Peloponnese.   Alone amid the the ruins of Olympia, I reflect on the Olympic Games, once used to initiate truce between warring city-states, now a symbol of peaceful international competition (when not exploited politically).  In Olympia, I develop a concept of Peace Games taking the place of War Games.

Twisties in the Peloponese.jpg (39800 bytes)I have often been haunted by the feeling that something painful is going to happen to me on the journey.  But in Jules Verne's Around the World In Eighty Days, Phileas Fogg says: "The unforeseen does not exist."  To that I would learn to say, "Bullshit, it doesn't!"   Its existence is revisited in Athens.  As we leave a campground, three stray dogs of Greece chase Melawend and me.  We slide on unseen gravel and smash into a tree.  I am thrown off and land even less gracefully than a gooney bird on Midway Island.  I lay wounded with a torn groin muscle as the dogs stand by, wagging their tails. 

In the Plaka, below the Acropolis.jpg (23621 bytes)It's just as well: a serious logistical blunder keeps me from proceeding to Africa.  A carnet and supplies must be awaited from home.   Anchored to a seaside campground for two months, there is time heal and to explore the wonders of ancient and modern Athens.  Lost and lone, I unwittingly wander into a cinema and watch a graphic sex film in the company of grungy, middle-aged seamen.  I come away from the theatre more lonely but with some good ideas I am anxious to try with Her.  I am swept up with the hordes of Greeks marching to commemorate the 1973 university uprising that initiated the collapse of a military regime.  And I am swept under the spell of the Athens – the Acropolis, the Plaka, the Agora, Lycabettus Hill, the street vendors and musicians and the cats in the National Gardens.

Temple of Poseidon.jpg (16376 bytes)At Cape Sounion, I relish a day at the Temple of Poseidon and trace the signature Byron carved in one   of the columns.  I sense the joy and beauty he found here, but also a sadness.  The ruins also suggest to me an apocalyptic metaphor for the human odyssey -- windblown, empty, crumbling monuments with graffiti that together declare, "We were here!"

In camp, transients meet: the photog couple from California whom I will encounter again in Africa; the old British couple who share stories and booze; the arguing couple; the get-lucky British boys and the French-Canadian girls; the Greek labourer who sings to the loud, eccentric German woman who, on the day she finally packs up her tent and leaves, cups her hand, pounds her crotch and shouts at me: "Fraulein! Fraulein!" I guess she means that I have missed something good.

And Greeks are met: the farm families that open their doors; the freight company owner who saves the day; and Tatiana, my elusive Greek goddess.

Athens becomes another crossroads. Injuries, costly logistical delays, low funds and increasing loneliness make me wonder if I should abandon the journey.   I feel low, like I've been running after the garbage truck of life, tossing in my dreams. (Later I realize, again, that one of the easiest things to do is to feel sorry for yourself.)

Greek fishermen.jpg (18806 bytes)I retreat, feeling snug and safe, concealed in my owner-built cocoon (a metaphor for my spiritual reclusiveness, not the tent).  I reflect on trying to become a writer: being one of all those aspiring, perspiring, expiring writers in the world who call upon Hemingway, or Twain, or some such dead literary hero to reach beyond the veil, pat them on the shoulder and bestow upon them the gift of literacy!  I think of reading heady books -- as people the world over do in groping for solutions, the right idea, concept, phrase, or some pearl of knowledge around which to fashion a life.  I find it in a four-letter word, a universal need: love.

Christmas is approaching. I read in Hemingway’s By-Line: "You do not know what Christmas is until you lose it in some foreign land."   Spending much time on a point of land that has once been a gun post, and reminds me of Point Abino back home, I reflect on Christmases past.  Then it all comes together: the carnet, the supplies and the sponsored passage to Africa – Christmas indeed!   But at this time two very helpful people here and a young family back home each suffer the loss of a loved one.  Life, I find, can be joyous or brutal.

The chapter concludes with Melawend and I aboard the Espresso Egitto, watching the lights of Piraeus become smaller.  I meet people on board who will play significant roles ahead.  Alone, I feel apprehensive of entering the Dark Continent.  But as Steven Spielberg would later say, "We should take a step toward what we don't understand." 

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PART V

Shades of Africa

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