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IN THE LONG RUN - A Hopeful World Odyssey
            
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IN THE LONG RUN
A Hopeful World Odyssey

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A reader's gift:
A poem in tribute to the Odyssey story and to the spirit many of us share ...

Book Description
"If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially."

The greatest American novel to emerge from World War I, A Farewell to Arms cemented Ernest Hemingway's reputation as one of the most important novelists of the twentieth century. Drawn largely from Hemingway's own experiences, it is the story of a volunteer ambulance driver wounded on the Italian front, the beautiful British nurse with whom he falls in love, and their journey to find some small sanctuary in a world gone mad with war. By turns beautiful and tragic, tender and harsh and realistic, A Farewell to Arms is one of the supreme literary achievements of our time.

Book Description
"You belong to me and all Paris belongs to me and I belong to this notebook and this pencil."

Begun in the autumn of 1957 and published posthumously in 1964, Ernest Hemingway's A Moveable Feast captures what it meant to be young and poor and writing in Paris during the 1920s. A correspondent for the Toronto Star, Hemingway arrived in Paris in 1921, three years after the trauma of the Great War and at the beginning of the transformation of Europe's cultural landscape: Braque and Picasso were experimenting with cubist forms; James Joyce, long living in self-imposed exile from his native Dublin, had just completed Ulysses; Gertude Stein held court at 27 rue de Fleurus, and deemed young Ernest a member of rue génération perdue; and T. S. Eliot was a bank clerk in London. It was during these years that the as-of-yet unpublished young writer gathered the material for his first novel, The Sun Also Rises, and the subsequent masterpieces that followed.

Among these small, reflective sketches are unforgettable encounters with the members of Hemingway's slightly rag-tag circle of artists and writers, some also fated to achieve fame and glory, others to fall into obscurity. Here, too, is an evocation of the Paris that Hemingway knew as a young man -- a map drawn in his distinct prose of the streets and cafés and bookshops that comprised the city in which he, as a young writer, sometimes struggling against the cold and hunger of near poverty, honed the skills of his craft.

Amazon.com
Ernest Hemingway's final posthumous work bears the rather awkward designation "a fictional memoir" and arrives under a cloud of controversial editing and patching--but all of that ends up being beside the point. Though this account of a 1953 safari in Kenya lacks the resolution and clarity of the best Hemingway (The Sun Also Rises, A Farewell to Arms) it is "real" Hemingway nonetheless. Let scholars work out where memoir leaves off and fiction begins: for the common reader, the prose alone casts an irresistible spell.

In True at First Light the glory days of the "great white hunters" are over and the Mau Mau rebellion is violently dislodging European farmers from Kenya's arable lands. But to the African gun bearers, drivers, and game scouts who run his safari in the shadow of Mount Kilimanjaro, Hemingway remains a lordly figure--almost a god. Two parallel quests propel the narrative: Mary, Hemingway's fourth and last wife, doggedly stalks an enormous black-maned lion that she is determined to kill by Christmas, while Hemingway becomes increasingly obsessed with Debba, a beautiful young African woman. What makes the novel especially strange and compelling is that Mary knows all about Debba and accepts her as a "supplementary wife," even as she loses no opportunity to rake her husband over the coals for his drinking, lack of discipline in camp, and condescending protectiveness.

As usual with Hemingway, atmosphere and attitude are far more important than plot. Mary at one point berates her husband as a "conscience-ridden murderer," but this is precisely the moral stance that gives the hunting scenes their tension and beauty. "I was happy that before he died he had lain on the high yellow rounded mound with his tail down," Hemingway writes of "Mary's lion," "and his great paws comfortable before him and looked off across his country to the blue forest and the high white snows of the big Mountain."

Passages like these--and there are many of them--redeem the book's rambling structure and occasional lapses into self-indulgent posturing. Joan Didion dismissed True at First Light in The New Yorker as "words set down but not yet written," but this fails to acknowledge the power of these words. The value of True at First Light lies in its candor, its nakedness: it provides a rare opportunity to watch a master working his way toward art. --David Laskin

Book Description
Published in 1926 to explosive acclaim, The Sun Also Rises stands as perhaps the most impressive first novel ever written by an American writer. A roman à clef about a group of American and English expatriates on an excursion from Paris's Left Bank to Pamplona for the July fiesta and its climactic bull fight, a journey from the center of a civilization spiritually bankrupted by the First World War to a vital, God-haunted world in which faith and honor have yet to lose their currency, the novel captured for the generation that would come to be called "Lost" the spirit of its age, and marked Ernest Hemingway as the preeminent writer of his time.

Book Description
THIS COLLECTION OF SHORT STORIES AND VIGNETTES MARKED ERNEST HEMINGWAY'S AMERICAN DEBUT AND MADE HIM FAMOUS

When In Our Time was published in 1925, it was praised by Ford Madox Ford, John Dos Passos, and F. Scott Fitzgerald for its simple and precise use of language to convey a wide range of complex emotions, and it earned Hemingway a place beside Sherwood Anderson and Gertrude Stein among the most promising American writers of that period. In Our Time contains several early Hemingway classics, including the famous Nick Adams stories "Indian Camp," "The Doctor and the Doctor's Wife," "The Three Day Blow," and "The Battler," and introduces readers to the hallmarks of the Hemingway style: a lean, tough prose -- enlivened by an car for the colloquial and an eye for the realistic that suggests, through the simplest of statements, a sense of moral value and a clarity of heart.

Now recognized as one of the most original short story collections in twentieth-century literature, In Our Time provides a key to Hemingway's later works.

Book Description

"There are some things which cannot be learned quickly, and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things, and because it takes a man's life to know them the little new that each man gets from life is very costly and the only heritage he has to leave."

-- ERNEST HEMINGWAY

In the winter of 1933, Ernest Hemingway and his wife Pauline set out on a two-month safari in the big-game country of East Africa, camping out on the great Serengeti Plain at the foot of magnificent Mount Kilimanjaro. "I had quite a trip," the author told his friend Philip Percival, with characteristic understatement.

Green Hills of Africa is Hemingway's account of that expedition, of what it taught him about Africa and himself. Richly evocative of the region's natural beauty, tremendously alive to its character, culture, and customs, and pregnant with a hard-won wisdom gained from the extraordinary situations it describes, it is widely held to be one of the twentieth century's classic travelogues.

Book Description
In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from "the good fight," For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving and wise. "If the function of a writer is to reveal reality," Maxwell Perkins wrote to Hemingway after reading the manuscript, "no one ever so completely performed it." Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.

This is the book I took with me all the way around the world.

Book Description
Spanning the years 1920 to 1956, this priceless collection shows Hemingway's work as a reporter, from correspondent for the Toronto Star to contributor to Esquire, Colliers, and Look. As fledgling reporter, war correspondent, and seasoned journalist, Hemingway provides access to a range of experiences, including vivid eyewitness accounts of the Spanish Civil War and World War II. By-Line: Ernest Hemingway offers a glimpse into the world behind the popular fiction of one of America's greatest writers.

Book Description
A must-read for Hemingway enthusiasts in the centennial year of his birth, A Hemingway Odyssey contains never-before-published interviews with people who knew him and observations of the special places he frequented, thus revealing how powerfully the waters Hemingway loved influenced his writing from his earliest days to his last novels.

Wherever Hemingway went--in Michigan, Italy, France, Spain, Germany, Key West, Cuba, or Kenya--he managed to find special places that he plumbed both emotionally and with a hook and line. In this fascinating narrative, H. Lea Lawrence retraces the great writer's footsteps to these special places and records the recollections and insights offered by some of the people who recalled when Hemingway visited their town or fished with one of their relatives. Beginning with one of the writer's first short stories, "Big Two-Hearted River," which is reproduced in its entirety, an unmistakable relationship is established between Hemingway's angling experiences and various stages of his writing.

This unique approach to Hemingway's life sets it apart from the work of other biographers. Numerous photographs put readers in touch with his life, particularly with the waters where he loved to fish, from rushing trout streams to the Gulf Stream.

Review
Amazon.com
First published in 1966, this adulatory memoir made news by revealing that Ernest Hemingway's 1961 death was a suicide. It also provided the mythmaking, Nobel Prize-winning author with an opportunity to promulgate his preferred public persona from beyond the grave. Chronicling their friendship over the final 14 years of Hemingway's life, A.E. Hotchner vividly captured the writer's appeal as a man and his genius as a storyteller in extensive direct quotes. He draws from contemporary notes, tape recordings, and (he reveals in the foreword to this edition published for the Hemingway centennial) disguised excerpts from personal letters that Hemingway's widow, Mary, refused him permission to use. In conversation, Hemingway sounds like one of his own fictional heroes: terse, witty, profane, manly. Hotchner, in his mid-20s when they first met in 1948 and, he freely admits, "struck with an affliction common to my generation: Hemingway Awe," seldom evaluates either the veracity of or the motivations behind the writer's anecdotes. He makes no claim to be objective, which adds to the emotional force of the painful final chapters showing a desolate, depressed Hemingway convinced he could no longer write. By no means the whole truth, Hotchner's loving portrait shows Hemingway to readers as he wanted to be seen and as his most ardent admirers saw him. --Wendy Smith

Book Description
The Old Man and the Sea is one of Hemingway's most enduring works. Told in language of great simplicity and power, it is the story of an old Cuban fisherman, down on his luck, and his supreme ordeal -- a relentless, agonizing battle with a giant marlin far out in the Gulf Stream. Here Hemingway recasts, in strikingly contemporary style, the classic theme of courage in the face of defeat, of personal triumph won from loss. Written in 1952, this hugely successful novella confirmed his power and presence in the literary world and played a large part in his winning the 1954 Nobel Prize for Literature.

Review
Amazon.com
In the second of his series of five biographies of Ernest Hemingway, Michael Reynolds turns to the years that formed the writer's distinctive style and critical intelligence. He exhaustively chronicles the particular literary influences on Hemingway, oftentimes even recounting the reading lists that the writer received from particular individuals. "Reading The Wasteland with Ezra Pound at one's elbow is no bad way to pick up a thing or two," he dryly observes at one point. He also pays close attention to Hemingway's conversations with, and studying the literature of, Pound, James Joyce, and particularly Gertrude Stein, who later complained that for all of Hemingway's talent, "He looks like a modern and he smells of the museums." Reynolds's sympathy for his subject is so complete that at times his own stylistic voice becomes a sort of homage to Hemingway's--colloquial, declarative, and wry. At times, however, he too liberally assumes the inner thoughts of his subjects. The substantial research and period analysis he commands turn such repeated phrases as "he must have thought" or "it must have seemed to him" into an unnecessary striving for authority. At his best, though, Reynolds not only uses his extensive source material with a critical eye but provides a wealth of information about the social, political, and literary backgrounds of a time and place that were in many ways the dawn of the 20th century's intellectual tradition. --John Longenbaugh

Book Description
This third volume of Michael Reynolds's extraordinary evocation of Hemingway's life finds the American writer in Paris in 1926 having just finished The Sun Also Rises, and follows him through the dissolution of his first marriage and the beginning of his second. We witness the emergence of the public image of Hemingway and his development into a mature and major literary talent. Most significantly, Reynolds reveals how the emerging Hemingway hero--tough, masculine, self-reliant--represented a radical break from figures in his earlier work, who are vulnerable, wounded survivors living precariously in a world in which they have little control. And he shows how this transition had its roots in Hemingway's own life, as he developed from a rootless and insecure expatriate into the forceful figure of myth, influenced by his father's suicide, his second marriage, and his return to America.

Review
Amazon.com
If one had to choose just one of Michael Reynolds's five volumes on Hemingway, The Final Years would probably be the best choice. Beginning with the fanfare surrounding the publication of For Whom the Bell Tolls on the eve of the Second World War and ending with Hemingway's suicide in 1961, the book puts all that had come before into perspective even as it probes these last two decades of its subject's life. The amount of detail is staggering--and sometimes, particularly in the case of his troubled fourth marriage to Mary Welsh, painfully discomfiting. (Long before Mary interrupts a conversation between Hem and Lauren Bacall to show Bacall a bullet she keeps for anybody who makes a move on her husband, the reader has figured out that the marriage was not exactly happy.)

The sections on Hemingway's wartime exploits, both in Cuba as a volunteer U-boat hunter and in Europe as a correspondent, are fascinating. But even in these moments--hell, even when he won the Pulitzer and the Nobel--Hemingway was subject to what he called "black ass" bouts of depression, an inherited condition that (as Reynolds notes) wasn't helped by his drinking or his tendency to put himself into dangerous situations in which he could suffer yet another severe concussion. Reynolds has traced the great writer's psychological decline so thoroughly that, when Hemingway puts the shotgun in his mouth in the final chapter, it is not as if the expected conclusion has finally arrived; rather, the reader has been made to feel an even deeper sense of the inevitability of the act. --Ron Hogan

Review
Amazon.com
On the overloaded shelf of Hemingway biographies, this perceptive group portrait claims a unique spot. Focusing on his wives, lovers, and female friends, Bernice Kert highlights aspects of the writer's personality that are often shrouded by his hypermasculine public image. Women were certainly attracted by Hemingway's swaggering charm and boundless vitality, but they also discerned an underlying strain of sensitivity and vulnerability he concealed from the world. Although a friend once remarked that Hemingway was the only man he knew who really hated his mother, Kert's stereotype-shattering depiction of their combative relationship limns Grace Hall Hemingway in more nuanced terms than her son ever did and reminds readers that much of Hemingway's creativity and competitiveness came from her. The wives emerge as people in their own right, though journalist Martha Gelhorn was the only one to find her career more interesting than being Mrs. Hemingway. Kert's portraits of the unwitting models for the author's heroines reveal significant differences between the actual Agnes von Kurowsky and the fictional Catherine Barkley in A Farewell to Arms, between Duff Twysden and Brett Ashley in The Sun Also Rises. Hemingway tended to write about the ideal female; Kert restores the real women who shaped his life and art. --Wendy Smith

Review
Amazon.com
On the 100th anniversary of Ernest Hemingway's birth, Craig Boreth gives the reader a tour of the author's taste buds in The Hemingway Cookbook. With chapters titled "The Early Years," "Italy," "France," "Spain," "Key West and Cuba," "East Africa," and "Idaho," as well as the Hemingway Wine Cellar and the Hemingway Bar, the reader is assured of finding taste treats ranging from fried trout to fried gudgeon, from pork and beans and spaghetti to eland piccata. And everywhere in between are countless photos of Hemingway with and without beard, as well as with and without clothes.

Boreth's contribution to Hemingwayiana is in providing the connective tissue among all the various stations of the author's life, collecting all possible references to food and drink, and then ferreting out suitable recipes to evoke a similar pleasure. For example, in the 1920s Hemingway writes about a lunch with John dos Passos ("whom I consider a very forceful writer, and an exceedingly pleasant fellow besides"). The meal included Rollmops (a herring dish), Sole Meunière, Civet de Lièvre á la Cocotte (jugged hare), and Marmelade des Pommes. Boreth provides the recipes. The reader is left to wonder what the Montrachet 1919, the Hospice de Beaune 1919, and the bottle of Chambertin might have been like.

The Hemingway Cookbook reads like an anthology of postcards sent back from the author's life. The collected recipes are eccentric, as any collection connected to any individual could not help but be. It's like being handed a metal box stuffed with 3-by-5 recipe cards, all of them written in Hemingway's hand and gathered from one end of his life to the other. A curiosity, really. --Schuyler Ingle

Book Description
No admirer of Ernest Hemingway should be without this biography, fully illustrated with over 100 magnificent photographs. Here one can see Hemingway watching a bullfight, fishing in Key West, hunting in Tanganyika, looking over dead soldiers in Spain, engrossed in his writing, sailing with Martha Gellhorn, and talking with Fidel Castro. Hemingway was not just one of the most influential writers of the century. He was also an ambulance driver in World War I, a journalist covering the Spanish Civil War, a big-game hunter and deep-sea fisherman, a soldier with the French Resistance during World War II, an adherent of both pre- and post-Revolutionary Cuba, a passionate lover, the husband of four extraordinary women, a romantic prone to depression, a suicide, and of course, a best selling novelist. His colorful life lends itself to a sumptuously illustrated treatment. In this brief, to-the-point biography, David Sandison reveals Hemingway as a complex character who was far more than the sum of his parts, and in the process illuminates both his writings and the age helped define.

Review
Amazon.com Audiobook Review
"A writer must face eternity, or the lack of it, each day," says Ernest Hemingway in his Nobel Prize acceptance speech. Eternity Hemingway certainly has secured for himself with his internationally renowned body of work. In this collection, however, he reads some of his lesser-known pieces, including the Nobel speech, a poem, and even a work in progress, most of which were recorded in Cuba. Although his readings of his own work seem timidly rigid at times, this tape represents a rare opportunity for Hemingway fans and nonfans alike, as it is one of the only known recordings of the writer's voice. (Running time: 45 minutes, 1 cassette) --Natasha Senjanovich

Book Description
The powerful and groundbreaking novels and short stories of Nobel Prize-winning author Ernest Hemingway have had a lasting influence on twentieth-century literature. The 100th anniversary of his birth in 1999 will bring increased attention to his life and works. Ernest Hemingway A to Z examines every aspect of the life, work, and legacy of this literary icon.

In addition to providing detailed synopses of all of Hemingway's novels, short stories, plays, and nonfiction writings, the book draws on a vast array of letters, bibliography, criticism, correspondence, reviews, and the text themselves. This invaluable encyclopedia answers every reader's questions about this quintessentially American writer.

Review
Amazon.com
"Throughout Ernest Hemingway's career as a writer," says Larry W. Phillips in his introduction to Ernest Hemingway on Writing, "he maintained that it was bad luck to talk about writing." Hemingway seems to have courted bad luck. Phillips has amassed a slender book's worth of Hemingway's reflections on writing, culled from letters, books, interviews, speeches, and an unpublished manuscript. These musings are arranged into topics such as "Advice to Writers," "Working Habits," and "Obscenity" (of which there is plenty here). Sometimes ponderous, other times offhand, these thoughts form a portrait of a man driven to create not solely the best writing he could, but the best writing, period. Hemingway craved exactness, both in his work and in the work of others; he strove to make every word necessary. "Eschew the monumental," he wrote to Maxwell Perkins in 1932. "Shun the Epic. All the guys who can paint great big pictures can paint great small ones." His aim? Mere perfection. "I write one page of masterpiece to ninety one pages of shit," he confided to F. Scott Fitzgerald in 1934. "I try to put the shit in the wastebasket." --Jane Steinberg

Book Description
THE ONLY COMPLETE COLLECTION BY THE NOBEL PRIZE-WINNING AUTHOR

In this definitive collection of Ernest Hemingway's short stories, readers will delight in the author's most beloved classics such as "The Snows of Kilimanjaro," "Hills Like White Elephants," and "A Clean, Well-Lighted Place," and will discover seven new tales published for the first time in this collection. For Hemingway fans The Complete Short Stories is an invaluable treasury.

No reviews have been given this version of Hemingway's famous story and I have not yet had the chance to review it myself.  But given the excellence of the story (which was made into movie in 1952, starring Gregory Peck and Susan Hayward), and narration by Charlton Heston - one of the finest living actors who has also renowned for his work in documentaries and story narrations - this has got to be a gem of a production - one which I plan to add to my personal collection soon!

Review
Amazon.com (partial)
In this, the first volume in Michael Reynolds's five-volume biography of Ernest Hemingway, he freely mimics Papa's writing style; pastiches such as the following can test even the most persevering reader's limits (passage is quoted)

The biographical narrative itself deals chiefly with three years of Hemingway's life, from his return home in 1919 from the First World War to his departure for Paris with his first wife, Hadley, in 1921. Along the way, Reynolds uses Hemingway's conflicts with his parents over his future as an opportunity to probe into the family's past, providing rich detail on his father's depressive condition and his mother's struggle for independence. Reynolds also provides plenty of background on Hemingway's boyhood home of Oak Park, Illinois (although a brief prologue that concerns itself chiefly with the town's politics and mores is made somewhat superfluous by re-addressing the same subjects in the main narrative). While The Young Hemingway is not the best of Reynolds's undertakings from a stylistic standpoint, and probably not the most interesting period of its subject's life, Reynolds establishes a standard for detail--and restrained psychological interpretation--that is kept up throughout the series. --Ron Hogan