THOMAS MARTIN SMITH - writer & photographer

 
IN THE LONG RUN - A Hopeful World Odyssey
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Chapter 9

Hay Days on Tir Mawr

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Bristol gave the world Archibald Leich – much better known as Cary Grant.  He was known to all as one of the most handsome and charming Hollywood actors ever to appear in film but who was also a very private and tormented man: lover to actor Ralph Richardson and reclusive billionaire Howard Hughes, and married five times.  He grew up in working class Bristol an illegitimate child.  At the age of eight, in 1912, he was told that his mother (the woman he had always known as his mother) died of a heart attack and had been buried immediately.  Her unfaithful husband had actually unjustly committed her to the notorious Fishpond Lunatic Asylum until she was released in 1938.  Grant learned this and hastened to Bristol as soon as he could to begin his many visits to her.  It is thought that at this time he also located his birth mother – a Jewish woman named Lillian.

All I had time for in Bristol was to get my green card insurance papers.  Melawend and I continued on in the clear cool air of the afternoon toward the River Severn.   We rolled over Brunel's Suspension Bridge across the Avon Gorge at Clifton Downs.  Below was the waterway that John Cabot (actually Giovanni Caboto, an Italian navigator in the service of England) had sailed on out of Bristol in 1497 and into history – discovering mainland America, exploring the coasts of present-day New England and the Maritimes. 

Once on that impressive bridge, high over the muddy waters, I got the feeling I often got on bridges: that you were suspended in time but still moving between here and there, between the past and the future, and that in crossing you would enter a new part of your life.  If you returned across the same bridge, your world would be a little different.  Just being on a bridge meant that you were committed to change.  We were confronted by bridges and also created them.  And you had to be careful as to which bridges you burned.

As we rolled down into Wales, there was a feeling of entering a different country.  The hills rose up and there were great areas of forests and hillside pastures.  My maternal roots were here – in fact, my mother had a Welsh name, Gwendolyn.  My grandmother's family had originally been from Monmouth.  Anna Darby, my Grandma, had been Anna Dodge.

(She was a descendant of Colonel Richard I. Dodge for whom an American city was named – Dodge City, Kansas – of Wyatt Earp, Boot Hill Cemetery and TV's Gunsmoke fame.  But that is for another part of this story.)

The first real destination in Wales was Brecon Beacons National Park.  There was relief in getting off the main southern road and heading north toward the Park.  But it was late afternoon and I again felt the anxiety of finding a free campsite.  The feeling intensified as Melawend and I rolled into Mountain Ash, the former coal-mining center of the Cynon Valley, where the hills were steep and forested.  There was a lot of traffic in town.  On a narrow main street, the town seemed dark under the low sun.  It was crowded with people and small shops, intimate and cozy to those who lived here and had some place to spend the night.   It was likely my anxiety but I sensed the suspicious stare of many eyes.

I parked Melawend in front of a small grocery store, went in and bought jam, bread and a can of baked beans.  When I came out, there were two boys standing by their bicycles, admiring Melawend.   One boy was chunky.  He had a mat of dark hair and small, excited eyes.  He appeared to be twelve years old.  The other, perhaps ten, was skinny with short hair and sleepy blue eyes.

"I've never seen a scooter like this one," said the older boy, looking at Melawend's faring and its big Canadian flag sticker.  "Did you buy it in Canada?"

"Yes."

"And you brought it all the way here?"  He was looking at Melawend the way a young boy eyes something he would love to own.

"That's right."

"Wow!  Are you staying in Mountain Ash?"

"Actually I'm looking for a campsite.  Do you know where I might find one?"

He paused, then said, "Yes!  Yes!  Follow us!    He looked at his younger friend.  "Come Jamie!"

I followed but felt even more stared at than before.  The boys peddled furiously through the town, leading me around several turns.  Shops gave way to small homes and then vacant land.  We rode up a small rise and down a bumpy lane to what appeared to be the local dump – broken bottles and rotting tires and craggy black mounds that seemed to have had something to do with coal mining.  I felt I had ridden into part of a Stephen King novel.

"You can camp here," the older boys aid.  He seemed too eager and he was already poised to ride away.   I suspected he would be off like a shot because Melawend presented something interesting to tell his buddies or to older guys he might want to impress.  I worried that I would be besieged, maybe even harmed by an invasion of bored local youths.

"No, there's too much glass.  Thanks anyway."

The older boy frowned.  Then his face lit up.  "Come, follow us!"

He peddled away in the same determined way, followed dutifully by the younger boy.  They led me to an open, grassy are along a stretch of new road.

"What about here?" said the older boy.

The place was too exposed.  Seeing such desperate hope in the boy's eyes, I felt almost sorry for him.  I declined.  He looked dejected but the younger boy hunched over his handlebars and sighed in relief.   I waved and sped back to the main road.

The sun was disturbingly low when I reached the area of Aberdare and found myself going in circles in a roundabout.  I shivered in the cooling air.  I was in an open area but I could not distinguish a farm.  To the north, I saw a hillside with sheep.  On a desperate gamble, I chose an exit that took me to a place called Llwydcoed.

I stopped where a narrow lane named Tir Mawr met the main road.  I went up to the modern home on the corner.  There was no need to ring the doorbell.  From inside, a creature that sounded like the Hound of the Baskervilles had announced my coming. A woman about my age came to the door, restraining a German Shepherd that glared at me: Make my day.

"Uh, hello.  Is this your farm?"  It likely seemed that I was asking both of them because my eyes darted between the woman and her canine Harry Callahan.  My eyes said to the dog: Nice boy.  To the woman: Don't let go of that monster!

"No.  The owners live over there," she said, removing one hand from the leash to point.  "Just go to the end of the lane.  The name is Francis."

"Thank you, Mam," I said, backing away.

I rode along the bumpy lane.  It went in a long way beside a large field that was green with hay.  A man was riding a tractor in the field.  I followed the lane as it went right and then uphill, ending at a grove of trees surrounding a low farmhouse.  I heaved Melawend onto her center stand, took out the blue plastic-covered portfolio and went to the front door.  It was a rough-looking house, owner-built, I thought.  I knocked.

The woman who answered the door looked vaguely like my mother but younger and she wore glasses.  She was short with a fine figure, a fair complexion and graying dark hair.

"Yes, can I help you?"

"Hello Mam.  My name is Tom Smith," I said, handing her the portfolio.  "I'm on a journey around the world and I was wondering if I could camp tonight somewhere on your farm?" 

(That was the standard approach I was to use the rest of the journey.)

"Around the world?  Goodness!"  She had a shy and gentle way that was immediately endearing, particularly with her Welsh accent.  "I must ask my husband.  Do come in Tom.  Would you like some tea?"

"That would be great, thank you."  I was still shivering and the thought of tea was heavenly.  I stepped into a sparsely furnished front room.

"Paul?" the woman called out.  A boy answered from another room and came in one of the interior doorways.   He was about seventeen, a trim lad with bushy black hair, straight dark eyebrows.  He reminded me of a friend I'd had in my late teens.

"My name is Carole Francis, and this is my son, Paul." she said.  She handed my portfolio to him.  "Tom is on his on his way around the world.  Would you get him some tea?"

Paul led me into the living room.  There was a keen wonder in his eyes.

"Have a chair, Tom, while I make the tea.”  Paul said.  “I’ll just be a moment."

I sank contentedly into an armchair.  As soon as I did, a little boy who had been playing with toys on the carpeted floor came over to me, plunked his elbows on my knees, smiled and squinted his eyes tightly at me.  He went and brought me one of his plastic toys, then another and another.  Paul came in with mug of steaming tea.

"Ah, Ian, now be a good boy and leave Tom alone."

Ian just squinted at me.

"May I have a look at this, Tom?"  Paul said, holding the portfolio.

"Sure."

"Around the world...."

I lost Paul to the journey.  Ian went back to maneuvering his toys to suit some plan that only he understood.  I sipped my tea, savoring the new warmth in and around me.

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PHOTO: left to right - Paul Francis, Tom holding Ian Francis, Peter and Carole Francis - on Tir Mawr Farm, Llwydcoed, Aberdare, Wales.  Photo copyright 1986 by Adrienne Leijerstam.

The woman came in with the man I'd seen on the tractor.  He was short, dark and heavy-set and seemed to me a mellow cross between actors Danny DeVito and Bob Hoskins (the actor who played the detective in Who Framed Roger Rabbit).

"Tom, this is my husband, Peter."

"How do you do, sir?" I said, shaking hands with him.

"Fine, Tom.  Carole has told me about your trip.  You are certainly welcome to camp here."

"Great!  Thank you."

"We'll be having our dinner soon.  Would you like to join us?"

For the next few days, I ate farm style: breakfasts of Wheatbix, bacon and eggs, buttered bread and jam; lunches and dinners of roast pork, potatoes, carrots, and tea cakes; and always, lots of tea.  I had hoped to stay one night.  I stayed four.  That first night, I sat outside my tent in a hay field, happy under moonlight that illuminated the long and verdant Cynon Valley.

The next morning, the sky was overcast.  At breakfast, Carole was worried about rain.  "It spoiled the whole crop that year."

When I had risen, Paul was already out on the tractor, raking the hay that Peter had just recently cut.  Now, after breakfast, Paul and four of his friends, David, Simon, Steven and Tony, had gathered in the living room and were awed by my portfolio of photographs.

I talked with Peter about Chernobyl.

"It's been very bad for the sheep farmers in North Wales," Peter said.  "They can't sell their herds or their goats milk."

Then Peter and Carole told me about the British system that required TV owners to have licenses.

"They've got a list in the post office if you've got a license or not," Carole said.  "If they see you haven't got a license, they're outside (your house) in a detector van."

"They can tell which room it's in," Peter said, "which corner it's in and what channel you've got it on and whether it's black and white or color."

"It sounds like Big Brother 1984." I said.

"It is.  It is," Peter said.

"It makes you wonder what else they can tell," I said.

"It does.  It frightens you," Carole said.

Tir Mawr Farm, Llwydcoed, Aberdare, Wales.JPG (59921 bytes)That afternoon, under drizzly, sometimes partly sunny skies, we really got into it, "hit the hay", as it were.  Peter drove a tractor that pulled a hay baler.  Peter's father drove another tractor that pulled the hay wagon.   The boys and I followed along, heaving up the big green bales, then riding the top of the loads, getting our backs raked by branches of trees around an arched opening in a hedgerow as we took loads to a barn and stacked them inside.  We stacked over 300 bales from four or five acres.  After picking the last bit of hay from my hair, and having a bath, I shared dinner with the boys and the family and realized why farm meals were so hearty.

It rained that night.  During a sunny break the next morning, I took photos of little Ian hamming it up with the wooden wheelbarrow his grandfather had built for him.  After breakfast, Peter and I watched TV and saw flabby American WBA heavyweight boxing champion Tim Witherspoon take on well-defined Frank Bruno, the British favourite, at London's Wembley Stadium.  Bruno's jabs took the early rounds.  We didn't share the cheers of the crowd.  "Watch out for that right!" Peter shouted.  It was a pointless reaction because we already knew the results – the fight had actually been held the previous day.  In the seventh round, Witherspoon had exploded with his massive right hand.  Bruno took it and held on.  Witherspoon had the stamina and hammered Bruno's head with more devastating rights.  In the last seconds of the 11th round, Bruno's trainer had thrown in the towel.  Later, in typical riotous form, British fans hurled chairs at police, trying to get at the departing victor.

We also watched 'adverts' for the upcoming royal wedding.

I was happy to spend the rest of the day in my tent catching up with my journals and writing the next story for the Times-Review.  Melawend rested outside under her black vinyl cover.

I would have left the following day but Carole had invited a local reporter over in the late afternoon to meet me and hear about my journey. 

"This is simply marvelous!" Adrienne Leijerstam said.

Adrienne was an attractive dark-haired girl.  She came by the next morning in her tiny Austin Mini and took me on a tour of the countryside.  Beginning a counterclockwise loop, Adrienne took me east up over and down hills dotted with sheep, into the Rhondda Valley which had been the site of violent strikes in the wake of coal mine closures.   (Actually there were two Rhondda Valleys – Fawn and Fach.)  By 1910, the population of the valleys had soared to 160,000, as this area became the heart of a massive coal industry.  (There had been 66 pits in the valleys but the last was to close in 1990).  Welsh miners hated the apparent indifference of wealthy absentee English mine owners.  We stopped by villages with narrow steep streets of colorfully painted terraced houses where old women chatted in doorways and dogs reposed on the sidewalks.  Otherwise, the Rhondda looked deserted.

Continuing the loop, Adrienne took me to a hilltop in Lianwonno, to the tiny church of St. Gwyno.  Amid humps in the tall grass, we looked for the grave of Guto Nythbran (he's buried by the south wall of the church).  In 1737, this famous runner, who use to sleep on warm manure to loosen his muscles, had taken on a challenge by an Englishman.  Despite glass thrown on the road by the challenger's supporters, Guto won the 12-mile race.  With his heart pounding, triumphant Guto received a hearty slap on the back by Jane, his bet-collecting girlfriend.  He gasped and died on the spot.  At 11:00 p.m. on New Year's Eve, runners gathered here at the gravesite for Nos Golan, an annual race in memory of Guto.

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Above:   St. Gwyno church with Adrienne Leijerstam at its entrance.  Photo by Tom Smith

Adrienne was also the Project and Tourism Officer for the Cynon Valley Borough Council, and this was her first day on the job.  In Aberdare, which had once produced the world's best steam-coal, she introduced me to David James, an administrative assistant for the Council and a fountain of local history, who welcomed my journey on the Council’s behalf. 

Adrienne and I went to St. John's, the small parish church of Aberdare.  Tall, gray-haired Geoffrey Evans who had written a definitive history of the Chaplery and its famous church met us there.  The barn-like stone exterior of the Norman building belied an interior dark with a vaulted wood ceiling and oak pews but made intimate by light from stained glass windows splayed through thirty-nine-inch thick ivory-hued walls.  I stood under the Sutton stone archway in the South wall, the original entrance that had been used for 600 years.  Evans said that the archway was "the most beautiful feature of the church", was likely protected by a porch – an important place where people met, bargains were made, civil business conducted; baptism, marriage and burial services were held; and oaths were sworn.  Inside the archway, you looked upon the whitewashed Norman font.   We were the only people here today.  While Adrienne and Evans sat reverently in the pews, I took photographs.

Ian - Wales.jpg (151085 bytes)Our final stop was at Dare Valley Country Park that was being constructed on land reclaimed from the detritus of the recently deceased coal industry.   We scrambled around stonework of the unfinished Interpretation Centre.  Inside, stained-glass artist Deanne Mangold snipped and shaped strips of lead around pieces of green and blue glass in a rendition of a Welsh landscape.  Late that afternoon, after helping Adrienne and her Swedish husband stack hay in their shed, Adrienne gave me a jar of peanut butter.

It was time to move on.  The next morning, I wheeled fully-laden Melawend up to the house.  I hit a pothole in the driveway and Melawend fell hard upon a rock, breaking her left signal cover.  The first of several applications of duct tape held her together.  Adrienne took photos of me with the Francis family.

I followed the Francis' as they drove in their car to an agricultural fair.  I went my slower way and lost them in the sheep-speckled hills of Brecon Beacons National Park.

For a time, I had felt a sense of family with the Francis.   I had eaten and worked and shared ups and downs with them.  We had become close. As the Francis family disappeared around a bend, I waved, feeling a loss but also some joy because I was moving on in my journey around the world.

Left: Ian Francis.   Photo by Tom Smith

  

 

 

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Chapter 10

Roots and Revolution

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Copyright Notice & Agreement

Here is what you can and cannot do with this story, website, photos, etc.:

Copyright © 1984 - 2008 by Thomas Martin Smith. All rights are reserved.
All text and photographs, and associated HTML code - on this website or on any other website where they have been used and in any other form they take or place they exist - are protected by Canadian and International Copyright Laws, and may not be copied, reprinted, published, translated, altered, hosted, or otherwise distributed in whole or in part, by any means without explicit written permission from me, Thomas Martin Smith, currently of Victoria, BC, Canada.

You are hereby permitted to retrieve, print, and store a single copy of any part or the entire book (IN THE LONG RUN: A Hopeful World Odyssey) contents as made available here, for personal use only. This permission does NOT extend to producing hard copies or electronic copies for any manner of (1) distribution, (2) promotion, (3) creating works, (4) resale, or (5) any uses other than personal use.  Nor does this extend to making the book contents available yourself (for example, you may not post or distribute in any way any portion of IN THE LONG RUN: A Hopeful World Odyssey or this website on your website or any other website, bulletin boards, nor by in any place or by any means online or off-line - without written permsision from me.)

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